[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"news":3,"about":14},[4,9],{"stem":5,"date":6,"titleHtml":7,"titleHtmlEn":8},"bk0v59ag8xma","2026-10-08T15:00:00.000Z","公園報 0号増刷に\u003Cwbr>ついて","On the reprinting of Open Field Report Issue No. 0",{"stem":10,"date":11,"titleHtml":12,"titleHtmlEn":13},"ib18ofy_7","2026-09-30T15:00:00.000Z","ウェブサイトを\u003Cwbr>リニューアル\u003Cwbr>しま\u003Cwbr>した","We have officially released the website",{"id":15,"collaborators":16,"collaboratorsEn":26,"extension":32,"meta":33,"statement":34,"statementEn":35,"stem":36,"__hash__":37},"about\u002Fabout.json",[17,20,23],{"name":18,"href":19},"トマトざえもん","https:\u002F\u002Fwww.instagram.com\u002Ftomatozaemon\u002F?hl=ja",{"name":21,"href":22},"zicca","https:\u002F\u002Fwww.instagram.com\u002Fganbarimasuca?stkn=MTJzdXdvanhmeTF2cQ%253D%253D&utm_source=qr&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0DMTAwAHBkb2YCc3J0YwZhcHBfaWQPOTM2NjE5NzQzMzkyNDU5AAGn5jA9C67WY0CFaFV6eM6T9i1kRmoVSY03ymgu4DcuC42Dk21g5YCHqEDJG0s_aem_Ot9-d2cW3UmK5HHNID_ISw",{"name":24,"href":25},"治虫","https:\u002F\u002Fwww.instagram.com\u002Fosamutezu\u002F?hl=ja",[27,29,30],{"name":28,"href":19},"Tomatozaemon",{"name":21,"href":22},{"name":31,"href":25},"Osamushi","json",{},"\u003Cp>商業化が\u003Cwbr>進む\u003Cwbr>都市に\u003Cwbr>おいて、\u003Cwbr>消費を\u003Cwbr>前提と\u003Cwbr>せず、\u003Cwbr>ただ\u003Cwbr>居る\u003Cwbr>ことの\u003Cwbr>できる\u003Cwbr>場所は\u003Cwbr>少\u003Cwbr>なく\u003Cwbr>なり\u003Cwbr>つつ\u003Cwbr>ある\u003Cwbr>。\u003Cwbr>そのなかで\u003Cwbr>公園は、\u003Cwbr>あらゆる\u003Cwbr>人が\u003Cwbr>居合わせ、\u003Cwbr>それぞれが\u003Cwbr>自由に\u003Cwbr>過ごす\u003Cwbr>ことの\u003Cwbr>できる\u003Cwbr>最後の\u003Cwbr>都市\u003Cwbr>装置\u003Cwbr>なので\u003Cwbr>は\u003Cwbr>ない\u003Cwbr>か\u003Cwbr>…\u003Cwbr>…\u003Cwbr> \u003Cwbr>本\u003Cwbr>プロジェクト\u003Cwbr>では\u003Cwbr>「地域と\u003Cwbr>音楽」を\u003Cwbr>切り口に、\u003Cwbr>公園と\u003Cwbr>その\u003Cwbr>周辺の\u003Cwbr>環境音の\u003Cwbr>収集や、\u003Cwbr>地域の\u003Cwbr>レコード店や\u003Cwbr>図書館での\u003Cwbr>リサーチを\u003Cwbr>ベースに\u003Cwbr>地元出身の\u003Cwbr>アーティストを\u003Cwbr>交えた\u003Cwbr>イベントを\u003Cwbr>行う。\u003Cwbr>さらに、\u003Cwbr>その\u003Cwbr>営みを\u003Cwbr>「公園報」と\u003Cwbr>して\u003Cwbr>まとめ、\u003Cwbr>出版・販売する。\u003Cwbr> 公園での\u003Cwbr>実践と、\u003Cwbr>出版に\u003Cwbr>よる\u003Cwbr>記録。\u003Cwbr>その\u003Cwbr>往復を\u003Cwbr>通じて、\u003Cwbr>これからの\u003Cwbr>都市に\u003Cwbr>おける\u003Cwbr>公共空間の\u003Cwbr>あり方と、\u003Cwbr>そこに\u003Cwbr>立ち上がる\u003Cwbr>風景を\u003Cwbr>探る。\u003C\u002Fp>","\u003Cp>In rapidly commercializing cities, spaces where one can simply exist—without the expectation of spending money—are becoming increasingly scarce. Amidst this, the park may be the last urban infrastructure where anyone is welcome and free to spend their time as they wish. This project takes “local communities and music” as its point of entry. Centered around field recordings of environmental sounds in and around parks, as well as research at local record shops and libraries, it hosts events with local artists. These efforts are then compiled, published, and sold as the “Open Field Report.” Through this dialogue between practice in the park and archival publication, the project explores what future urban public spaces could look like, and the landscapes that may emerge from them.\u003C\u002Fp>","about","a77S0gLSdPamkYj208RiRBjpkdferJp9HvQT2vfAoVQ",1792984979614]